Tuesday, 16 December 2014

Spoiler alerts

Here is a screen shot of the Bring Me The Horizon Shadow Moses single from the same album (Sempiternal) as Can You Feel My Heart, within the music videos for the songs on this album there is a reoccurring theme of cold and isolated places to contrast with bright flares and dark clothing, I wish to keep part of this theme within my own video as it will clearly show the audience that it is the same band and of the same genre as within alternative/scremo /rock there are usually many bluntly obvious contrasts (or clear binary opposition) either through colours, emotions, genders or anything that can either contradict or contrast itself.

Clearly this music video is not of the same genre, however I really like the idea of the contrast of the colours of the paint against plain coloured clothes, as an idea to incorporate into my own music video to fit with the contrasting theme of colours and isolation within Bring Me The Horizons music videos I wish to include a scene where my main actor (Sam) is showered in colourful paint to show the mixture of emotions he would be feeling throughout the music video and to make it more poignant and to make it follow the codes and conventions of alternative/scremo /rock I would have Sam wearing dark clothes so that the paint showed up and also represented the sadness and darkness that he feels he is surrounded with.

Tuesday, 9 December 2014

Editing to fit with the music and editing the music to fit with the moving images FINISH




Here you can see how I have edited the film to ensure that it is within time of the song I am using and that I can change the colour scheme of the shot from the original to a black and white colour pallet. The only thing that is not clear within this video is me myself editing the music, as at the end I wish to extend the synths at the end of the track to cover the credits. However the use of markers along the track in this editing session is clear.

Monday, 8 December 2014

Getting bored of my song









I found to keep my interest and love of this song strong throughout the making process, I found different remix'. I feel listening to all these different remixes allows for other people to show and express their interpretation of the song and how they feel it should be shown to others as.
Listening to these different remixes allows me to see how other people interpret the song and with each version different parts of the song are emphasised with different emotions, this has helped me to focus on different emotions through out the film I am creating. 

Other peoples work and inspirations



This is someone's version of Bring Me The Horizon's Can You Feel My Heart, there are some elements which I really like in this video.
Throughout the entire video all the visuals link directly to the song lyrics, I feel this does a very good job of amplifying the meaning of the song lyrics and the emotions of the song. An example of this is from 0.46-0.51 you are shown someone's hands to be squeezing and twisting with what appears to be a heart to correlate to the lyrics 'can you feel my hear-hear-heart', I really like this visual interpretation of the lyrics and have decided to use a similar sort of visual to show the direct connection between the narrative of my music video and the lyrics of my chosen song.


After showing this to some of my audience they recognised that it was very similar to another artists music videos: Die Antwood, here are the examples:
*WARNING THEY ARE SLIGHTLY OFFENSIVE/EXPLITIVE*




Friday, 5 December 2014

How my project is going so far


Here are two screen shots of my initial film in the editing process. In the first screen shot it shows a shot from the first set of filming I did, from personal preference and audience feedback it has been decided that this shot will not be used in the finished product (thankfully it is just my initial filming and not the final shot). The reason for the audience and myself for not liking this shot is because in the lower half of the shot it shows the unfinished side of the bath along with the wall and bath products in the background. My original ideas of the shot were to be just a single focused shot of the hand coming up and out of the bath and curling around the rim on the bath.

The second screen shot is of another piece of initial filming which has been put into premier pro. I do like this piece of film as it has been edited so the colour scheme is now black and white, this use of filter increases the contrast of the black t-shirt against the white bath, from audience feedback it was said from a 17 year old female "I like the black and white contrast as it shows how depressed the lead actor is and allows the audience to be emphasise with his emotions and feelings". So from this feedback I think it makes the black and white filter a contender for my actual filming for the finished product. HOWEVER I do not like (and neither do my audience) the fact that the shower curtain is in the shot and looks really messy.

Wednesday, 3 December 2014

Inspiration and showing ideas through images




If you look at 3.29-3.38 you can see the slow motion of a plate smashing from two different angles. I would like to incorporate this sort of slow motion in to my own music video as it allows for extra drama and emotions to be expressed and captured for longer. I feel this emphasis on emotion and allowing the slowed scenes to make a bigger impact on the audience will work as it will paly with their minds more and will make them try to figure out if the entire video was just that, or a trip or even just a dream?






This video is of water droplets colliding at 200 times slower than the actual speed. Using this slowed down version allows for more definition for each water droplet than that might be missed if not watched at 5000 frames per second.

Monday, 1 December 2014

filming schedual

As you can see from these photos to the left is my two-weekly schedule and below is Becky's. The times in which we are both available to either edit together or film are 
Week A:
Monday:Period: 2&3, Lunch and after school
Tuesday:Period: 2 and after school
Wednesday:Period:1&4,Lunch and after school
Thursday:Period 1&3
Friday:Period:1,and lunch and 5
Sunday =after work(4pm onwards)



Week B:
Monday: Period 1&2 
Tuesday:Period:  2&lunch and after school
Wednesday: After School
Thursday: Period 5
Friday: Period: 3,4&5
Sunday= after work (4pm onwards)

Wednesday, 26 November 2014

Choice of Model


This is Sam, an 18 year old male that I am using as the main actor in my film, as you can see he is very comfortable around the camera therefore is not shy and is very willing to do whatever needs to be done for the film.
Clearly within these photos you can see he has a beard, this is perfect for the sort of part I want him to play, I feel in him having this beard it can either be made to look as if he is sophisticated or a rough and ready teen, the latter is what I wish him to do.

 

And here are two images of the lead singer of the band (Oli Sykes) that I am using Bring Me The Horizon , as you can see I have tried to find someone who looks very similar to Oli, the only obvious issue is that my actor Sam does not have any tattoos, this however is not a massive problem.





















This is Becky, she's a 17 year old student who not only is co-producing, filming and editing this music video, yet she will be acting in it too. I had chosen to use Becky in my film before we had even decided to work together, purely due to the fact that her personality and physical appearance makes her perfect for the part to accompany Sam within the music video. I wish to dress her in 'scene' or 'indie' clothing with dark lipstick and slightly tousled hair to give her the rough and ready teen look.

Tuesday, 11 November 2014

first 14 seconds of my film



 The white noise that interrupts the parental advisory is used to show the distortion that is occurring throughout the film in my actors head due the over use of recreational drugs.

Friday, 24 October 2014

Theorists ... Who, why and how?

Jacques Derrida: recognised how binary pairs were not always equal.
*APOLOGIES FOR THE BLUNTNESS*

According to Jacques Derrida, meaning in the West is defined in terms of binary oppositions, “a violent hierarchy” where “one of the two terms governs the other.” Within the white/ black binary opposition in the United States, the African American is defined as a devalued other.
An example of a binary opposition is the male-female dichotomy. A post-structuralist view is that male can be seen, according to traditional Western thought, as dominant over female because male is the presence of a phallus, while the vagina is an absence or loss. John Searle has suggested that the concept of binary oppositions—as taught and practised by postmodernists and poststructuralist—is specious and lacking in rigour.
Within my music video I want to show that females are equal to the male population and I want to show that females are not always the weak and vulnerable and that vulnerability can also affect men as they too are only human and are subject to emotions and all of life's other mysteries that may not be so easy to deal with.






"A major theme of post structuralism is instability in the human sciences, due to the complexity of humans themselves and the impossibility of fully escaping structures in order to study them."
Personally I think this quote is really important as it shows how theory and the implication of ideas and theories has an impact upon  the audience and the type of audience and how each person is different.

Wednesday, 22 October 2014

Pre-production lighting

During the filming of our music videos one of the most vital aspect (and possibly most difficult to master) is getting the rights sort of lighting. As an experimentation we grouped together to try to recreate some iconic lighting scenes from famous movies. My group decided to do the iconic lighting from terminator with the cross over of a red and blue filter (also known as the Hasta La Vista Baby scene).







Here you can see the finished product of Ella with two light rigs set up either side of her with two different coloured filters. Personally I doubt I will use this sort of colour contrast in my video but in doing this little experiment it helped me a lot in realising how shadows work and how the colour intensity can change the mood of a scene, actually being the one taking the photograph here made me realise that when I am filming for my own music video and need to do close ups/ extreme close ups I must be able to trust my actor and I myself must be comfortable enough with the actor to be in such close proximity to them.


 

Tuesday, 21 October 2014

Interview with 20yr old male

I asked the interviewee what he thought makes a good music video and this was his response with some examples: *apologies I've tried to keep it as true to the responses that were given however for censorship reasons I have toned down the excitement that I was given*


There is a good build up, where it gradually gets faster and faster until the break down which makes a bigger impact on the audience or viewer.
When band and everyone else (everyone within the video) 'goes crazy'; when they're absorbed by the music, you can see that they are not caring about anything else, when they're in the moment, there and then just with the music.


Example of a good build up:






This slipknot video is really good because they say a few lyrics from the actual song (" if you're five five five then I'm six six six), and because its such a famous song everyone knows the lyrics which then leaves everyone to thinking "OMG ITS THIS SONG WE KNOWS WHAT'S COMING NEXT" so everyone has hearts pumping and fists at the ready to ROCK OUT.
00.43 ( getting ready/build up) - 00.46 (explosion, flashing lights & fire BOOM) From this I gather that the pyrotechnics and the visual aspect of the live performance enhances the experience of listening to the song making it more powerful and almost to the point where it is a firework show to make everyone hypnotised and in awe of the band.






With this video you can tell the depth of field by the focus on the lead singer and the blurry audience in the background.
From a personal point of view I think this video is really good because it has 
loads of lights flashing to insinuate a massive party
Clearly all female audience, shows sex divide in this genre of music from a personal point of view I do not like the depiction of the females within this video as it shows that the male is better. However works very well with codes and conventions and the amplification of  binary opposition theorist Jacques Derrida theory - the male is always more dominant.
Extreme close up at the end of the music video works really well to create a connection between the audience and the lead singer.






The Lyrics at the beginning of the video : "this radio station was named audioslave in honor of the last American heroes to whom speed means freedom of the soul the question is not is when its gonna' stop but who is gonna' stop 'em" comes across as  very powerful and it relates to how music is and always has been interpreted within this genre.
This extract and entire style of this music film is taken from and inspired by the film Vanishing point and the lead singer of the band acts as the main protagonist of the film - Kowalski.


Up until 2.56 the band themselves sing nothing at all which is odd once you notice it but you can appreciate the music video itself more without the distraction of them miming along to the song, however it works well once they do start to mime on the stage at 3.55 as it incorporated the classic convention of music videos where you can see the band 'act' as they are performing. 

During the entire music video there are masses of wide shots and mid shots along with insane bright colour pallet which works well as it the video is set in the desert which is iconic of the USA.
When the chorus is sang ('show me how to live') always happens when the car in the music video accelerates this is clearly an action code which gives audience feeling of adrenaline, as when the car goes faster as song gets faster insinuating that there is a big commotion about to start.
Very vintage in voice and being able to do alter the voice naturally rather than using auto tune is a really good attribute of the band themselves not just the music video.





Set on beach - reminds of summer time when you always have a beer as they do in the video, chilling out to the music on the beach and living in the moment, partying it up which is why is it such an appealing music video.





Shadow shots at the beginning give a sense of time during the day.
There is a sense of vibration through the use of props and showing their movement showing that the music they're creating is at am amplitude that can cause destruction.
The music video has classic mise-en-scene which amplifies the feeling of deserted-ness within the 'past relationship (which is what the lyrics are talking about) and using abandoned / breaking down house can reflect the feelings and emotions being experienced.

(mise-en-scene relates to lyrics = amplification = Andrew Goodwin - his relationship is breaking down/apart and so is 'his flat' as the audience presumes.)



Within this video there is good use of visual binary opposition through the flashes within the strobe lighting, the white and black kit of the football players and the white and black outfits of the different cheerleaders. The lead singer Marilyn Manson personally is crazy and because he's a very eccentric person along with the angry song enables the aggression and anger to be shown within body language and physical acts upon the stage such as kicking over pieces of technical equipment.
From a personal point of view I really like it when it starts to rain as it adds another element of a natural form or release from pressure and that's when the band members themselves starts to 'power head bang' despite the weather and makes the scene more powerful as it makes it slightly and angry / romantic feeling to it.
really powerful and angry song and shows his true mentality as its one of his heaviest songs and shows his true metal power by throwing himself (mind body & soul) into the song

"I'm not a slave to a god that doesn't exist" = video shows him rebelling therefore illustrating the lyrics being sang. = A.Goodwin




Thursday, 16 October 2014

Mood board and thought process



























Here is a photo of the mood board I have created for my music video and ancillary tasks, alongside a brief synopsis of my reasons of why I have created and to what purpose I hope it serves.

"I have chosen to use and layout the images for my mood board for a reason, firstly I chose to use a black and white colour scheme to quite literally show the binary opposition that I hope to capture within my music video. A large percentage of my mood board is made up with images and references back to the band of the song I wish to use. I have structured my mood board to be centred around the lyrics of the song as I personally feel the amplification and illustration of the lyrics can add another layer of meaning to the audience from the music video. I have used images of locations to aid the development of ideas of how these areas can reflect the emotions of the music video and the narrative that continues throughout. A rough basis for my narrative is a young male dealing with the troubles of substance addiction, this is where my decision to use binary opposition comes into play; the thought of substance abuse/dependency is bad enough along with what the effects actually are, however there must be deeper reasons as to why there is a dependency, clearly it enables him to run and hide from it; as everything in this world has a good and bad side, its just both sides are not always visible at the same time.












Inspirations and ideas alongside similar issues that I would like to address

Bring Me The Horizon - Sleepwalking;
Within sleepwalking the story and visual narrative is unclear to start, however once the music video progresses it relates to a dream-like state with parts directly being illustrated/amplified by the lyrics, or vice versa. I believe this song is about being stuck within the cycle of depression. At first he's so emotionally troubled, his body starts physically reacting to his stress (i.e. 'bones catch a fever). And if I am not mistaken I believe that most of Bring me the horizon's (BMTH) work is centred around health issues and difficulties in life.


Bring Me The Horizon - Shadow Moses;
Once again, here's another song about a mysterious character that shared a rather "cold romance" with Oli (the lead singer of the band). Unlike many songs about convincing people to let go of her, "shadow Moses" contains abstract impressions
 of anguish and resentment. "I thought I buried you covered the tracks" states the metaphorical terms of forgetting or letting her go. Oli claims "she has cold-dead hands", "she clamped to his shirt when slipping through the cracks" and that method or place he buried her was where "sin could never die", or the pain she gave him was unforgivable. He further exclaims that he doesn't "want to rise from the dead", he doesn't want to deal with her ever again; it seems there is no peace in his life with her' it's just sempiternal.


Bring Me The Horizon - Go To Hell For Heaven's Sake;
Personally my interpretation of this song (although there could be many more reasons) is that Oli is talking about a person he once may have loved yet had his heart broken by them. For example: " I'm burning down every bridge we made" = the memories they have he's going to forget them.
 "I'll watch you choke on the hearts you break" - saying that its the first time said person has broken his heart. "I'm bleeding out every word you said" = Which could imply that he's self harming every word they have said because it felt like a lie, and he felt lied to. "So desperate and pathetic" = could relate to said person who hurt him. "Go to hell for heaven's sake" = he's broken and mad until the point where he wishes said person to go to hell. However I looked up the meaning of this song and read an article on how Oli wrote this himself, trying to distance himself from the other sides of his personality/self. The line "its moments like this where silence is golden, and then you speak" is about how Oli had been argumentative and outspoken, then later voicing those issues when all it will do is make things worse. "I'm burning down every bridge we made" could correlate or translate as Oli saying everything good that he has accomplished or worked hard to make progress on, just gets destroyed.



Although all three music videos are made by bring me the horizon they have a similar emotional story of which i would like to replicate within my own music video.

RCA records (child company of Sony Music Entertainment)

RCA Records is an American flagship recording label (alongside Columbia Records and Epic Record) of Sony Music Entertainment (SME).

RCA Records is the second-oldest recording company in US history. RCA's Canadian unit (formerly Berliner GramophoneCanada) is Sony's oldest label in Canada, as it was only one of two Canadian record companies (Compo Company, now Universal Music Canada, is the other) to survive the Great Depression

The main reason for researching RCA Records is that Bring Me The Horizon is signed to their company therefore I have to write a Copyright permission letter to ensure that there are no legal implications through me using Bring Me The Horizons track, Can You Feel My Heart, here are screen shots to provide evidence that I have in fact asked permission to use the track.




Monday, 22 September 2014

Pitching ideas and initial thoughts of videos










Skills at the beginning of the course can be improved upon and referred back to later in the course and used as a reflective view to see how I have progressed (if I have..hopefully).
I pitched to an audience of nine females of various ages and recieved some very helpful and constructive critasism. 
Starting with the positive's;

  • The song choice fits well with the narrative idea
  • A 17yr old male likes the idea as our generation is fascinated with substance and alcohol abuse and misuse -examples of this is shown in the channel four series Skins and also through Rhiannas 'we found love' lyrics
  • My initial ideas of lighting and camera angles were considered a really good idea
  • The narrative of the music video can also be used to not only show how substances can not only affect people but also how they can create issues for people who decide to use them
  • I can widen my audience through showing the issues implicitly rather than explicitly
  • Another point of showing the issues implicitly can enable my audience to be more active rather than passive by making them think about the scenes that are being shown and therefore the more the audience pays attention the more they will notice within the video
  •  Using an all (almost all) male cast can be a good use of actors as it can make my video appeal to a younger female audience 
And the improvements to be made;
  • The music genre and the possibility of using an all male cast may result in my music video having a niche audience which would not be so good as my music video would only then appeal to a smaller audience
  • The masculinity of the music genre may not appeal to females
  • I need a more structured narrative with a beginning, middle and end 
  • I need a better and stronger narrative - I can improve on this once I've learnt the narrative theories and how narrative works, once I've found a theory that I like I will cling to the theory and use it to structure my own narrative with my own ideas
  • The ability of being able to film in low key lighting may create visibility issues

Friday, 19 September 2014

Preliminary task

I worked with Annie during this task to see how well we managed with filming a 60 second clip of a music video and to make our own copy of it. However due to technical difficulties with the Macs we were unable to export or even retrieve the clips we had filmed as the computer had decided that the files were corrupt.

Thursday, 18 September 2014

Influential music video:


Bring Me The Horizon - Blessed With A Curse

The main points that I have made from analysing the music video is that it does follow Andrew Goodwin's theory, this is proven through the use of 'thought beats' (editing the film to the beat of the song to make the editing transitions more effective and conform to the ideals of a good music video) the music video. The narrative is slightly different as it plays on the idea of the emotions of the lyrics rather than matching the actual lyrics, therefore the lyrics and the acting go hand in hand to create a narrative running alongside the emotions created from the song lyrics.
Within the entire music video the lead singer is shown singing directly into the camera increasing his 'star image' through the repetitive-ness of his appearance on screen.
The technical elements of the music video help to make this video really successful and hence why it has influenced me:
  • the lighting contradicts the darkness of the emotion and lyrics which cause a confusing yet thought provoking scene to watch
  • The editing is always on beat which makes the watching and viewing as comfortable and as enjoyable as possible
  • The proxemics of the actors and band members on screen works well to create an isolated feeling as it is rare within the music video to have more than one person on screen at a time
  • The relation of the visuals to the song illustrates the meaning and emotion of the lyrics but not the physical actions of the lyrics, personally I think this works perfectly as it affects people without them knowing and enables them to relate to a song more easily if the emotions are being subliminally related to them and it enables them to feel as the artists intends the music to be interpreted. (This feeling is what I hope to recreate in my music video) 
Examples of more screens shots from other music videos from the band to illustrate my points made: